ancestry pow

Sep 02

The Pow Name in History

$19.95

This book is part of the Our Name in History series, a collection of fascinating facts and statistics, alongside short historical commentary, created to tell the story of previous generations who have shared this name. The information in this book is a compendium of research and data pulled from census records, military records, ships’ logs, immigrant and port records, as well as other reputable …

The Pow Name in History

$19.95

The Pow Name in History is a customized book offering a unique blend of fascinating facts, statistics and commentary about the Pow name. The book is just one of an entire series of family name books in the Our Name in History collection. Each book in the collection is printed on demand and is compiled from hundreds of millions of records from the world’s largest online resource of family history…

Ancestry In Progress

$8.49

Ancestry In Progress

Zap Pow

$7.99

Zap Pow

Ancestry

$13.58

Saxophonist Trevor Watts has made no bones about his love for the South African expatriate musicians, especially Dudu Pukwana, who came to London during apartheid. In recent years, Watts has been playing the kwelas, high life and ritual dance music so much a part of the jazz styles of those players, especially the members of the Brotherhood of Breath, who mingled with many British improvisers. Hand percussionist Jamie Harris joins Watts for this recording of original jam tunes that reflects the traditional African and modern English way for making new music. While their range in timbre, pacing, and interplay is limited, the expression of joy they exude is rarely trivial. The difference is mainly measured in degrees of pace and energy as a slightly overblown soprano saxophone in the 6/8 ritualistic dance of “Alpino” and 4/4 of “Sarawak” with Watts on alto sets the tone. At their most creative, a stretched 10/8 time signature in extreme upper octave levels on “Three & More” and the circular sped up line of “Kerrytown” shows these two undoubtedly belong to the modern musicians sect. Vocals add to a swirling, frantic effect during “Tandem Voices,” while a more whirling dervish, Turkish or Arabian flavor has the woodwinds sounding overdubbed, but it’s actually a vocal accent on “Balintan.” Often you feel Harris is an accessory, or a second brought simply for support, as there is not much interplay or counterpoint involved. Then again, one might contend it’s all call and response as in most African music. Watts so thoroughly dominates this project, and though there’s a certain joy, exuberance, or in the case of “Anna B,” romanticism, he’s expressing his inner calling, with Harris along for the safari. While not a definitive recording, and assuredly for specialized tastes, what Watts and Harris have achieved is undeniably unique unto itself. ~ Michael G. Nastos, Rovi