How do I delete my account from ancestry.com?

Im a bit worried, i signed up for the 14 day free trial at ancestry.com, but have now decided I dont want the account any more. There isn’t any information on how to delete the account. Also I’m worried as to what happens after the 14 day trial, whether it asks you if you want to subscribe or it immediately starts charging you. Can anyone help please????
I didn’t give any credit or debit card details, just my email adsress

If you didn’t give any credit info there should be no problem. Just use it for the 14 days and enjoy. They can’t charge something without a credit card. They should send you a reminder. Just say No.

Life of Gen. Benjamin Harrison: A Full Account of His Ancestry, Boyhood, Early Struggles, Marriage, and Recent Political Triumphs, with a Sketch of the Life and Public Services of Whitelaw Reid, Together with Both Sides of the Question Protection and Free …

Life of Gen. Benjamin Harrison: A full account of his ancestry … and recent political triumphs, with a sketch of the life and public services of … of the question; protection and free trade …

Ancestry In Progress $8.49 Ancestry In Progress

Procession of the Great Ancestry $13.58 Recorded in 1983 in Nessa’s Acme studio in Chicago, Procession of the Great Ancestry is among Wadada Leo Smith’s most obscure, but ultimately most satisfying, recordings. Featuring Kahil El’Zabar, Louis Myers, Joe Fonda, John Powell, Mchaka Uba, and Bobby Naughton, this was the first album to showcase Smith’s expansive vision, which included all forms of black music — from the myriad languages of jazz to gutbucket blues, reggae, and various African folk musics as well as a little R&B groove for measure. It was also the first to feature his wonderful vocals as a mainstay on his projects. Fans can think of this disc as Kulture Jazz, Vol. 1, with a band. The disc opens with “Blues: Jah Jah Is the Perfect Love,” a deeply moving blues that is equal parts funky backbeat and Nigerian rhythm with a reggae groove. Smith sings with soul as the band weaves a magic spell around him. This is immediately followed by the title track, a gentle but very abstract piece written for Miles Davis that incorporates Davis’ modal science and Smith’s sense of space and dynamic. This is the first of four pieces for trumpeters; the next work, “The Flower That Seeds the Earth,” is for Booker Little, and “The Third World, Grainery of Pure Earth” is for Roy Eldridge. Track six, “Celestial Sparks in the Sanctuary of Redemption,” is for Dizzy Gillespie. All of these works are in the free jazz mode, but their gentleness is their attraction. Smith here is playing a poetic balladry for these men, while musically elucidating his cosmology — the rhythm section is so attuned, so finely restrained and tasteful, Smith could sing it out if he wanted to, but instead he creates long melody lines that whisper to completion. The set closes with “Nuru Light: The Prince of Peace,” a short processional in minor mode that has Naughton’s vibraharp playing fills under the horn lines and through El’Zabar’s brushed drums. After its deeply moving, sonorous theme, a pair of kalimbas and the vibraharp play a lullaby to balance the weight, taking it out with enough grace and elegance to make the listener nod in wonder before playing it again. ~ Thom Jurek, Rovi Performers: Kahil El’Zabar – Kalimba, Balafon, Drums, Percussion; Bobby Naughton – Vibraphone; Leo Smith – Kalimba, Flugelhorn, Trumpet, Vocals; Wadada Leo Smith – Kalimba, Flugelhorn, Trumpet, Vocals; Joe Fonda – Bass (Electric), Bass; John Powell – Sax (Tenor); Louis Myers – Guitar (Electric)

Ancestry $13.58 Saxophonist Trevor Watts has made no bones about his love for the South African expatriate musicians, especially Dudu Pukwana, who came to London during apartheid. In recent years, Watts has been playing the kwelas, high life and ritual dance music so much a part of the jazz styles of those players, especially the members of the Brotherhood of Breath, who mingled with many British improvisers. Hand percussionist Jamie Harris joins Watts for this recording of original jam tunes that reflects the traditional African and modern English way for making new music. While their range in timbre, pacing, and interplay is limited, the expression of joy they exude is rarely trivial. The difference is mainly measured in degrees of pace and energy as a slightly overblown soprano saxophone in the 6/8 ritualistic dance of “Alpino” and 4/4 of “Sarawak” with Watts on alto sets the tone. At their most creative, a stretched 10/8 time signature in extreme upper octave levels on “Three & More” and the circular sped up line of “Kerrytown” shows these two undoubtedly belong to the modern musicians sect. Vocals add to a swirling, frantic effect during “Tandem Voices,” while a more whirling dervish, Turkish or Arabian flavor has the woodwinds sounding overdubbed, but it’s actually a vocal accent on “Balintan.” Often you feel Harris is an accessory, or a second brought simply for support, as there is not much interplay or counterpoint involved. Then again, one might contend it’s all call and response as in most African music. Watts so thoroughly dominates this project, and though there’s a certain joy, exuberance, or in the case of “Anna B,” romanticism, he’s expressing his inner calling, with Harris along for the safari. While not a definitive recording, and assuredly for specialized tastes, what Watts and Harris have achieved is undeniably unique unto itself. ~ Michael G. Nastos, Rovi

Across The Divide (A Tale Of Rhythm & Ancestry) $9.99 Across The Divide (A Tale Of Rhythm & Ancestry)

Rediform Red Vinyl Account Book $25.99 1 Each 10.37″ Length x 8.37″ Width Green 100% 150 Sheet 30% 57211 Hard cover account book features faintly record ruled pages with margin lines. Pages are numbered for easy reference and printed in green and brown ink. Red vinyl cover is stamped in white and offers sewn construction for strength and durability. Eye-ease green paper is acid-free and archival-safe. Account book contains 30 percent post-consumer material. Accounting Book Acid-free Archival-safe Hard Cover No Numbered – Pages Red Vinyl Red Vinyl Account Book Rediform Rediform, Inc Thread Sewn Yes www.rediform.com

Rediform Green Bookcloth Record Account Book $13.99 1 Each 200 Sheet 30% 56521 9.62″ Length x 6.25″ Width White Account book features record ruling with a margin, green hard cover and white acid-free, archival-safe paper. Pages are numbered for easy reference. Account book is made with 30 percent post-consumer material. Accounting Book Acid-free Archival-safe Green Green Bookcloth Record Account Book Gummed Hard Cover No Numbered – Pages Rediform Rediform, Inc Yes www.rediform.com

Esselte Record-Ruled Account Books $72.99 0% 1 Each 14.12″ Length x 8.62″ Width White Single Side 41 Per Sheet 500 Sheet 9-500-R Record book offers a black cover, red fabrihide spine and corners. Each page is made of premium, white bond paper. Paper is acid-free and section thread sewn. Red and blue rulings are waterproof and permanent. Record book offers 41 lines per page, a table of contents page and marker ribbon. Accounting Book Black Blue Ink Esselte Esselte Ltd No Numbered – Pages Record-Ruled Account Books Red Red Ink Thread Sewn www.esselte.com