
Searching for inspiration?
My family tree has the small number of 202 ancestors but engulfs both sides of my family back to the 1700′s. I have noticed that many have ancestral figures of 1000 plus. Presumably this includes Uncles, Aunts and their children. Is it the fun of the search, or is it the obsessional thing of must collect similar to train spotting.
I am looking for ideas to pursue my genealogy interest and would welcome any ideas or suggestions. Thanking you in anticipation. Charles
This is where quality, not quantity, matters. Some people are name collectors and many are obsessive. They are probably relying on others’ research, not their own, so who knows how accurate their tree is? And there probably are lots of collateral relatives.
As long as you are happy with your tree, it doesn’t matter how big it is. If you feel you have run out of leads, try looking for aunts, uncles and others. You may find long lost cousins or even an unknown half brother. I know I did.
You can even post dead ends here and someone may be able to help.
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Generations…a Game of Family History … |
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Twin Cities Then and Now (Minnesota) $17.95 Twin Cities: Then and Now is an engaging, startling, and at times heartbreaking look at the dramatic evolution of landscapes in Minneapolis and St. Paul. Larry Millett, author of Lost Twin Cities, explores the changing appearances of Minneapolis and St. Paul from the vantage point of their relatively static streets. Seventy-two historic photographs taken from the 1880s to the late 1950s, are paire… |
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Remember That?: A Year-By-Year Journal of Fun Facts and Family Milestones (Family Tree Magazine) $16.99 Everyone wants to leave their mark and leave their imprint on history. Remember That? gives you a fun way to enjoy your family history while placing personal events and memories within the larger cultural picture. You’ll find fascinating facts related to the years 1930 to 2011 including: top news stories, top songs and movies of the year, sports results, technological breakthroughs, and fashions a… |
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Getting Started in Genealogy: or, How To Leave a Legacy and Have Fun Doing So $12.55 … |
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Dinosaur King $14.99 WHILE HELPING AT A PALEONTOLOGY EXCAVATION, MAX AND REX UNCOVERA MAGIC STONE LEFT BY THE DINOSAURS. AS SOON AS THEY TOUCH IT, THEY RECEIVE A DISTRESS SIGNAL FRON THE DINOSAURS ASKING FOR HELP!DR. Z AND THE EVIL ALPHA GANG ARE HUNTING DOWN THEDINOSAURS!MAX AND REX MUST TRAVEL BACK 65 MILLION YEARS,… |
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Fun $8.49 Fun |
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This Is Fun $9.99 This Is Fun |
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Fun Fun Fun $3.49 Fun Fun Fun |
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Hannover Fun Fun Fun $10.49 Hannover Fun Fun Fun |
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The No Fun $7.18 Chicago’s leading neo-grunge two-man hard rock juggernaut is in loud and angry form on this six-song EP, and as anyone familiar with this band’s past work knows, Scott Lucas is always at his best when he’s got a big ol’ grudge against someone (or something). After the relative disappointment of Local H’s fourth album, the overworked Here Comes the Zoo, The No Fun EP is (for the most part) a blazing return to form; with the band producing themselves (with some help from engineer Andy Gerber), these tracks connect with maximum impact and minimal fuss. Drummer Brian St. Clair sounds more fully integrated with guitarist/bassist/vocalist/big cheese Scott Lucas than he did on Here Comes the Zoo, and if Lucas’ wall of guitars don’t have a whole lot of nuance, they kick like Bruce Lee on steroids, and the good news is this band hasn’t sounded so gloriously muscular since As Good as Dead. Half of the songs on The No Fun EP are covers, which may not suggest a large backlog of new material, but all three originals are winners, especially the vitriolic George W. Bush parody “President Forever,” another jaundiced look at the state of the rock scene in “Cooler Heads,” and the bone-crushing title cut. Elsewhere, their take on the Ramones’ “I Just Wanna Have Something to Do” actually finds a new angle in the old chestnut, and their assault on the Godfathers’ “Birth, School, Work, Death” is nothing short of inspired. Only the closer, the almost-ten-minute “Fuck Yeah, That Wide,” disappoints, but at least it’s fun for the first few minutes, and five winners out of six is a damn good batting average; if Local H can sound this tight, aggressive, and effective on their next full-length, they could have a masterpiece on their hands. ~ Mark Deming, Rovi Performers: Brian St. Clair – Drums; Scott Lucas – Vocals |
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Such Fun $10.38 The majestic mountain range and the happy trees that surround it on the cover of the Annuals’ second album, Such Fun, are the work of the late Bob Ross, the big-haired landscape painter whose art instruction series was a PBS staple for decades. The choice is fitting, because just as Ross could summon an evocative image of the great outdoors with a few well-placed brush strokes, the six members of the Annuals have created a widescreen indie pop spectacle that sounds big as all outdoors despite the rather conventional size and scope of the band. Annuals leader Adam Baker wrote, arranged, and co-produced Such Fun along with handling guitars, keyboards, percussion, and lead vocals, and you sure can’t say the guy lacks vision — from the laid-back semi-ska of “Hardwood Floor,” the shred-tastic guitar heroics of “Hot Night Hounds,” and the crunchy ’70s-style rock of “Talking” to the psychedelic drift of “Hair Don’t Grow,” the country-accented melody of “Always Do,” and the massed choral splendor of “Springtime,” Baker never passes up an opportunity to pull something new out of his bag of tricks, and his bandmates invariably rise to the challenge, especially Kenny Florence on guitar and pedal steel and drummer Nick Radford. For all the talent Baker and the Annuals show on Such Fun, the album’s relentless eclecticism begins to work against it after a certain point — the musical shape-shifting keeps it from developing a coherent musical personality that would hold the pieces together, and the arrangements often sound overcooked when a more concise approach would better serve Baker’s genuine knack for a tune. Next time out, maybe the Annuals should think simple watercolors rather than a massive fresco — Such Fun might fill that space over the fireplace, but it doesn’t really pull the room together. ~ Mark Deming, Rovi Performers: Kenny Florence – Dulcimer (Hammer), Pedal Steel, Percussion, Guitar, Vocals; Anna Spence – Banjo, Keyboards, Piano, Vocals, Organ; Adam Baker – Percussion, Piano, Guitar, Organ, Bass, Drums, Keyboards, Vocals; Daniel Hart – Violin; Mike Robinson – Vocals, Bass; Nick Radford – Percussion, Drums; Zack Oden – Drums, Vocals, Percussion, Guitar |
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The Fun Is $10.38 Killjoy Confetti are an all-woman indie rock band from Muncie, IN, and they tend toward the more avant-garde, sometimes slightly atonal side of things. This album, their debut, often sounds like it could have cropped up somewhere in the mid- to late ’80s, when all types of groups were ranging about for sounds that broke the constraints of melodic sensibility (early Sonic Youth, Minutemen). Killjoy Confetti also have a joyful sense of barely held together competence (more Velvet Underground than Shaggs, thankfully) in their playing that works for them. Nevertheless, all of the imperfections of this band work and don’t seem hip or calculated on this album. The standout track is the sinuous “Neer Neer,” with its infectious guitar line and angular groove. Meanwhile, “My Lip Is Bleeding, But I Am Fine” finishes out with several disintegrating, skronked-out guitar scrambles that would do both early Pavement and early Sonic Youth proud. With this track and others, The Fun Is also sounds like an album that could have just as easily come out during the ’80s heyday of the southeastern U.S. (Athens, GA, or “the Triangle” of North Carolina). It’s obtuse, groovy, and otherworldly. This is a creative and inspired effort that is both forward-thinking and past-echoing. ~ Erik Hage, Rovi |
