
This is a new series (1-19) No verse in the Bible against the Quran.
Verse No. 19 in the Old Testament says: And the evening and morning, the fourth day.
Verse No. 19 in the New Testament says because Joseph her husband was a righteous man and did not want to expose public disgrace, he had in mind to divorce her quietly.
Verse No. 19 in the Noble Qur'an says: They are the doers? but do not realize.
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The No.19 verse in the Old Testament in Genesis 1:19
The verse continues to speak of the creation of the heavens and the earth, says: And the evening and not morning the fourth day.
Now, in the process the creation of the heavens and the earth, we are on the fourth day after God created the sun and the moon on that fourth day.
Therefore, we three days passed, with three nights and three in the morning. These first three days and three nights and three in the morning that was before the creation of the sun and the moon (see articles 9-18 of the series).
How can or what happened?
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The No.19 in the New Testament verse is Matthew 1:19
The verse is talking about the genealogy of Jesus Christ and Matthew lists of the ancestors of Jesus, the verse says: Because Joseph her husband was a righteous man and did not want to expose her to public disgrace, he had in mind to divorce of silence or say: "And her husband Joseph, being a just and do not want to put to shame, decided to divorce her quietly
A Again, the Bible of Saint Mary offers like an ordinary woman. He was engaged to be married to Joseph, but before they came together, she was found a pregnant woman, because he was a righteous man and unwilling to stand and put to shame, does not want to expose her to public shame. So, decided to divorce Santa Maria!
Furthermore, Muslims about the faith of Mary, peace be upon her, is that the
He lived and died as a pure, untouched, and a Virgin exceptional woman. " although the Bible insists that she was engaged to be married to Joseph, then married him and He then had babies and then the babies are the brothers of God!
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No.19 verse in the Noble Qur'an Chapter 2:12,
Sura Al-Baqara (the cow), 2:12
The verse says:
Verses 2:8-20 are talking about the hypocrites
Verse 2:8 (See Article 15) provides that the hypocrites, who say: We believe in Allah and the last day ", but who are not believers.
Verse 2:9 (See article 16) says: They think to beguile Allah and who believe, and not delude themselves, but do not realize.
Verse 2:10 (See Article 17) says: "There is a disease in them (the hypocrites) heart that Allah has increased, for them it is a painful punishment because they lie. "
Verse 2:11 (See article 18) says, when told: Do not corrupt on earth, they (the hypocrites) say: We are reformers only.
Verse 2:12 is talking hypocrites, saying: They are the doers? but do not realize.
The meaning of verse 2:12
They are traffickers fact bad for being a nuisance.
They are truly agents of corruption, but they perceive it not.
but they are paid; They are here refers both to the hypocrites and their followers. The hypocrites that they are not agents of corruption. his followers did not know that their leaders lead to mislead them.
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Verse No. 19 in the Old Testament, New Testament and the Noble Quran in the translation of four different
Verse No. 19 in the Old Testament
Genesis 1:19
New International Version:
19] And the evening and morning were the fourth day.
New American Standard Version:
19] And the evening and morning were the fourth day.
English Standard Version:
19] And the evening and morning, the fourth day.
King James Version:
19] And the evening and the morning of fourth day.
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Verse No. 19 in the New Testament
Matthew 1:19
New International Version:
19] Because Joseph her husband was a righteous man and did not want to expose her to public disgrace, he had in mind to divorce her quietly.
New American Standard Version:
19] And Joseph her husband, being a righteous man and did not want his disgrace, planned to send her away secretly.
English Standard Version:
19] And her husband Joseph, being a righteous man and willing to put to shame, decided to divorce her quietly.
King James Version:
19] 19Then Joseph her husband being a just man, and not willing to make a public example, was prepared to leave secretly.
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Verse No. 19 in the Noble Qur'an
Chapter 2: 12
Sura Al-Baqara (the cow)
QARIB, but it is they who are evildoers, but do not realize.
SHAKIR: Now surely they themselves are the rebels, but they are paid
Pickthal: They are the doers? but do not realize.
Yusufali: bond, which are those that cause harm, but they realize (that) no.
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It is too early to ask this question:
Is the Quran quoted from the Bible?
Wait and see.
About the Author:
Professor Dr. Ibrahim Khalil
Prof. of Clinical and Chemical Pathology,
Head of Clinical Microbiology and Infection Control Unit,
Ain-Shams University. Cairo, Egypt.
And, President of the Egyptian Society of Inventors.
Member of the Egyptian union of Writers
Article Source: ArticlesBase.com – In the Bible: When Joseph Decided to Divorce Saint Mary
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Visions From the Book $14.99 … |
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The genealogies recorded in the Sacred Scriptures, according to euery family and tribe with the line of our Sauiour Iesus Christ, obserued from Adam to the Blessed Virgin Mary / by J.S. (1632) $9.14 This book represents an authentic reproduction of the text as printed by the original publisher. While we have attempted to accurately maintain the integrity of the original work, there are sometimes problems with the original work or the micro-film from which the books were digitized. This can result in errors in reproduction. Possible imperfections include missing and blurred pages, poor picture… |
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Buckinghamshire Parish Registers: Addington. St Mary the Virgin … |
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Parish Registers of the Church of St. Mary the Virgin, Hanbury, Worcestershire: Baptisms, Marriages and Burials, 1716-1837 … |
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Vespers For The Assumption Of The Virgin Mary $13.49 Vespers For The Assumption Of The Virgin Mary |
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Stabat Mater, Litany To The Virgin Mary (Rattle) $6.49 Stabat Mater, Litany To The Virgin Mary (Rattle) |
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Virgin Mary $16.79 Description not provided. |
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Virgin $11.49 Virgin |
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Songs for the Blessed Virgin Mary $11 By Hildegard von Bingen and Hildegard Von Bingen (1098-1179). For Unison Chorus. Standard notation. Published by Hildegard Publishing Company |
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Chants for the Blessed Virgin Mary $34.95 By Hildegard von Bingen and Hildegard Von Bingen (1098-1179). Arranged by Marianne Pfau. Standard notation. Published by Hildegard Publishing Company |
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Music for the Virgin Mary $15.18 Description not provided. |
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Found Their Peace in Virgin Mary $15.98 Description not provided. |
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Stabat Mater: Motets to the Virgin Mary $13.58 The growth in popularity in the countertenor voice has worked to the benefit of the listener, who can now choose from among singers of various types. There are big-voiced, athletic singers specializing in operas and emphasizing the power a male soprano or alto can deliver. There are melancholy tragedians who trade in the dolorous sighs of the madrigalian singing in which countertenors were first heard in the middle of the twentieth century. And then there are the specialists, with distinctive voices of their own. One French publication called Philippe Jaroussky a “young singer with the tone of an angel and the virtuosity of the Devil.” His voice cruises along with a shining tone and effortless purity and lightness, making it all the more surprising and effective when he launches into an explosive spasm of stabbing pain. Jaroussky has sung Baroque opera, but his modest-sized voice is really ideal in chamber music like that heard on this disc. The composers represented here range from moderately known (Cavalli, Frescobaldi, Legrenzi, Grandi) to almost completely obscure, (Giovanni Felice Sances, Giovanni Paolo Caprioli). They were Italians, from Rome and Florence, who turned the new operatic language of the seventeenth century to a specialized end: worship of the Virgin Mary. These pieces, aside from a few instrumental works and one or two with more active vocal lines, are hushed, arioso or recitative utterances that turn the intensity of operatic textual language to religious ends. All the texts are in Latin, and most have been set many times, but never in quite such a temperamentally devotional way. The motet Vulnerasti cor meum, with its text from the Song of Songs (“Your breasts are more beautiful than wine, and the perfume of your ointment is above all spices”), is typical in its overall effect: this is the language of Monteverdi’s later madrigals, compressed into a insider sacred language of quiet, intense feeling. And it all fits Jaroussky’s voice deliciously well. Almost everything here is extremely low-key, with Jaroussky’s exquisitely controlled voice floating serenely, largely without vibrato, above murmuring accompaniment from his own group, the Ensemble Artaserse (two violins, gamba, guitar, theorbo, and keyboard). Religious passion flares up in small fires in the Stabat mater dolorosa setting of Sances and in several other pieces, but the overall dynamic range is down at the quiet end of the scale. Two pieces in which Jaroussky is joined by the more conventionally operatic Canadian contralto Marie-Nicole Lemieux are especially memorable, but the whole disc is a sterling example of how an almost completely neglected repertory can be brought to life anew by a performer who enters into it with the desire and talent to express its essence. ~ James Manheim, Rovi Performers: Marie-Nicole Lemieux – Contralto (Vocal); |
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Spotless Rose: Hymns to the Virgin Mary $15.98 The booklet biography here points out that the Phoenix Chorale, formerly the Phoenix Bach Choir, is the first North American chorus to record for Chandos, the audiophile home of English cathedral choirs and other representatives of British tradition. That’s noteworthy enough in itself, and better still is that the program here is not one that would be likely to come from a British group. Unified by its Marian idea, the program mixed classic British and contemporary American pieces in a novel way, and it provides an excellent window for the world on the vigorous tradition of a cappella choral music that has evolved independently of academic trends and their strictures. All the music here exploits, to a greater or lesser degree, the acoustic effects possible with an a cappella chorus in a large space, and Chandos, turning its engineers loose in an Arizona desert megachurch called the Camelback Bible Church, achieves spectacular results. The standout is perhaps the final four-movement Electa, by Kansas City composer Jean Belmont Ford, with its intense passages of overlap between a solo soprano tone and the choir and its haunting use of solo timpani and bass drum, the only instruments heard anywhere on the disc. Both the Ford work and the Two Marian Pieces by Spanish-born Javier Busto are world premieres, and both are likely to be eagerly adopted by other choirs. The singers — there appear to be 24 — shine equally in the subtle dissonances of the first of Busto’s pieces and in the tricky artlessness of Benjamin Britten’s A Hymn to the Virgin. This is a triumph of engineering, of choral singing, and of conducting on the part of Charles Bruffy, a protégé of fabled American choral conductor Robert Shaw, who, like his mentor, has achieved impressive, sensuously irresistible results in a city without a deeply ingrained tradition of classical singing. Booket notes are in English, French, and German. ~ James Manheim, Rovi Performers: Amy Perciballi – Alto (Vocals); Carol Platt – Soprano (Vocal); Caroline Markham – Mezzo-Soprano (Vocal); Cassandra Ewer – Soprano (Vocal); David Topping – Bass (Vocal); Jacob W. Herbert – Baritone (Vocal); Joel M. Rinsema – Tenor (Vocal); Kira Z. Rugen – Soprano (Vocal); Phoenix Chorale – Choir, |

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